Biography
Anna Harwell Celenza is a professor at Johns Hopkins University, where she holds a joint appointment in The Writing Seminars (Krieger School of Arts & Sciences) and Musicology Department (Peabody Conservatory). She is the author/editor of several scholarly books, including Music and Human Flourishing (2023), The Cambridge Companion to Gershwin (2019), Jazz Italian Style: From Its Origins in New Orleans to Fascist Italy and Sinatra (2017), Music as Cultural Mission: Explorations of Jesuit Practices in Italy and North America (2014) and Hans Christian Andersen and Music: The Nightingale Revealed (2005). Her work has also appeared in The Hopkins Review, Musical Quarterly, Nineteenth-Century Music, Notes, The Cambridge Companion to Liszt (2005), and Franz Liszt and His World (2006) and The Cambridge Companion to Duke Ellington (2014). In addition to her scholarly work, she has authored a series of award-winning children's books with Charlesbridge Publishing: The Farewell Symphony (2000), Pictures at an Exhibition (2003), The Heroic Symphony (2004), Bach's Goldberg Variations (2005), Gershwin's Rhapsody in Blue (2006), Duke Ellington's Nutcracker Suite (2011), Vivaldi's Four Seasons (2012), Saint-Saëns's Danse macabre (2013) and a 14-part syndicated series on Louis Armstrong for the NC Press Foundation. Her work has been featured on nationally syndicated radio and TV programs, including NPR's "Todd Mundt Show", BBC's "Music Matters" and "Proms Broadcasts", and C-Span's "Book-TV". In 2017, Celenza curated an exhibition titled Margaret Bonds and Langston Hughes: A Musical Friendship (Georgetown University Library, 2016). Her exhibition catalog won the 2017 Leab Exhibition Catalog Award from the Association of College and Research Libraries. In 2016, Celenza co-founded Music Policy Forum, a non-profit organization that advises local governments about how to create sustainable music ecosystems. Over the last ten years, she has participated in a range of music advocacy work, including serving on the Board of the Baltimore Jazz Alliance and as a co-developer of the 2019 Washington DC Music Census and the 2024 Baltimore Music Census.